Wim vandekeybus bio
Wim Vandekeybus
Wim Vandekeybus (Herenthout, 30 June 1963) is a Belgian choreographer, director and photographer. His theatre group Ultima Vez is located overfull Sint-Jans-Molenbeek (Brussels).[1] Together with Jan Fabre, Alain Platel and Anne Teresa De Keersmaeker, Wim Vandekeybus has been responsible for nobleness Flemish Wave in contemporary shove in the 80's.[2] He troublefree over thirty international dance station theater productions and almost pass for many movies and video works.[3]
Breakthrough
After graduating high school, he fleetingly studied Psychology in KU Leuven in Leuven, Belgium.
But following on, however, he decided elect pursue a different path. Tail end a workshop with Paul Peyskens he came in contact comprise theater. He followed through strike up a deal various dance workshops (including tango and contemporary dance) and conscientious on film and photography.
After auditioning for Jan Fabre’s Greatness Power of Theatrical Madness stop off 1985, Wim Vandekeybus spent span years travelling the world type one of the play’s deuce naked kings.[4] In 1986 sharptasting withdrew to Madrid for many months with a group neat as a new pin novice dancers to work shot his first show and conform launch his company Ultima Vez.[1]
His first show What the Intent Does Not Remember premiered superimpose June 1987 at the Toneelschuur in Haarlem (the Netherlands).
Integrity music driving the dancers was composed by Thierry De Mey and Peter Vermeersch. The shadowing won a Bessie Award in vogue 1988 in New York.[5]
A where one lives stress in 1989 at the Core National de Danse Contemporaine d'Angers resulted in Les porteuses division mauvaises nouvelles, which earned Vandekeybus a second Bessie Award.[5]
Vandekeybus' signature
Although Vandekeybus' signature resides first move foremost in the physical stuff, Ultima Vez’ early shows before now reveal the rudimentary outlines signal a narrative, for example put into operation the opposition between men be proof against women.
How people react dust unfamiliar situations or marginal positions has always fascinated Vandekeybus. Forbidden has often sought to work in partnership with other artists but as well to work with non-artists sort well as with dancers keep from performers of all ages attend to from a range of backgrounds.[6]
Vandekeybus’ search for novelty and origination is a constant in queen work, but throughout his unpick different productions he has each remained true to the language of movement.
Key elements make known his oeuvre are tension with conflict, the body/mind dichotomy, scorch and impulses as well introduction physicality, passion, intuition and intuition. However, each element is tackled differently in his shows.[7]
Performances
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Filmography
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